It happens that the places of greater interest in most cities are considered temples. This is not surprising, because no matter how quickly the urban landscape changed, which leads to eternity, man would rather not touching it. Here in St. Petersburg, despite the difficult history, which includes a period of militant atheism, which has succeeded in preserving most of its churches. In addition to the conventional “canonical” symbols of the city such as St. Isaac and the Cathedrals of Kazan, the Church of the Savior on the Blood in St. Petersburg, which are not so popular, but there are still remarkable places of worship. One of the oldest Orthodox churches in St. Petersburg is St. Andrew’s Cathedral on Vasilyevsky Island.
The idea of building a large church on Vasilyevsky Island was by Peter I. In 1724, the Swedish architect Nicodemus Tessin took charge of the project, who asked that the silhouette of the church reminded him the basilica of St. Peter in Rome. The Swedish fulfilled the emperor’s wish to prepare the project, but the work on its application had to be postponed due to the death of Peter I. Construction began after 5 years and was completed in 1731. It was a small church of Wood, which, being the only temple on the island Vasilyevsky, it was densely populated, but only a few parishioners barely housed it. Therefore, in 1764 the construction of a Baroque stone building began , whose consecration took place only 16 years later. In 1938, the cathedral of San Andrés was closed, and in 1992 it was returned to the believers.
¿What can you see?
Today the building of St. Andrew’s Cathedral is painted in light pink, The main dome actually evokes the thoughts of the cathedral of St. Peter’s Basilica in the Vatican, but the slender tower resembles a traditional bell tower of the Lutheran church.
Legend has it that on the walls of the temple is buried Ekaterina Dolgorukaya, where some historians call it “The Failure of the Empress”. she was supposed to marry the young Emperor Pedro II, but he died only a few days before his wedding.
The interior of the church is also impressive: the walls are decorated with stucco and paintings. However, the main treasure of the church is the carved iconostasis of three levels of the 17th century.
During the congregation in 1834, the church was characterized by a heating system, which was a rarity in those days.
Among other interesting details, in the interior you can see the silver altar ornaments, an icon of the exaltation of the Gospel, which is the most beautiful salaried work of an unknown author.